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She became the ringleader of her own act and her silence only contributed to her cult-like following among a generation that had had enough of perky pop. Released exactly one month after President Trump’s inauguration, “Love” felt like the answer to a collective cultural prayer asking how we might move forward as a nation.It was hopeful in a way that was unfamiliar to her audience, making it all the more powerful.But luckily for Del Rey, her story has a happier ending.
Not long after came the album (the cover of which shows her beaming smile) and more political tracks. Everywhere I turn, there’s something blocking my escape.” So begins “13 Beaches,” the third track from Lana Del Rey’s most recent album, .The sample comes from director Herk Harvey and writer John Clifford’s 1962 cult horror film , which follows Hilligoss as Mary Henry, a woman who miraculously survives a car crash.Whether jaded by journalists or simply desiring to let her music speak for itself, somewhere along the way, Del Rey became a bit of a recluse in regards to the press.(Her 2015 music video for ’s “High by the Beach” saw the singer blast a paparazzi helicopter from her balcony.) But this only increased Del Rey’s allure, likely due to the fact that an air of mystery feels refreshing in this overexposed, media-driven era.