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I cannot yet report that Evening, the film, does not represent Evening, the novel, in any more than the most superficial way, since I'm only halfway through, but the original would have to make a tremendous leap to resemble the film that follows at this point.I guess I'm writing this because I feel that if you're going to adapt a novel, adapt it, but don't make it something else that it's not.

But it's too much to say that it would be better if Ms.See full summary » The love which binds mother and daughter -- seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close.Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman.Unlike what one reviewer of the movie said, it's not so much that some novels don't deserve to be a movie; it's more like some books just can't make the transition. Minton's novel operates on a level so personal and intimate to her central character, so internally, that it seems impossible to me to place it in a physical realm.Even though a lot of the book is memory of real events, it is memory, and so fragmented and ethereal as to be, I feel, not filmable. Minton's work is a real work of literature, but cannot make the transition to film, which in no way detracts from its value.

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